Dec 4 Thu ICI - ITALIANS CELEBRATE MARBLE ART
Dec 4 Thu 6pm ICI: Italians Celebrate Marble Art: Michelangelo e la Versilia
So where does carrera marble fit in?
So where does carrera marble fit in?
The Consulate General of Italy
together with
the Italian Cultural Institute of New York,
and the municipalities of
Forte dei Marmi, Pietrasanta, Seravezza, and Stazzema
sustained by the Banca del Monte of Lucca Foundation
Thursday, December 4
6PM
Italian Cultural Institute
686 Park Avenue
New York
TO RSVP PLEASE CLICK
HERE
Taking Michelangelo’s experience in the Versilia region as a starting point, the four Cities cast light on the artistic and cultural traditions that share in common, which origin ties up to the centuries-old activity of extraction and manufacture of marble. “Michelangelo e la Versilia” proposes the presentation of two original drawings by Michelangelo, loaned by the Casa Buonarroti Museum. The Maestro, once arrived at the Versilia quarries at the beginning of the 16th century, started to extract the marbles to send to Florence for creating his works, having them transported from the mountains of Stazzema and Seravezza until the maritime boarding along the way that he wanted, after which construction originated the town of Forte dei Marmi. In this regard, it is shown a wide panel description on the history of “The Way of Marbles”, which passing through the territories of the four Cities; unify them exalting the respective characteristics.
As evidence of the prosecution of the artistic manufacture until our days and in consideration of the historical-artistic importance of the Museo dei Bozzetti of Pietrasanta and of the identity value, that it represents for the Versilia territory as well as for its vocation to sculpture, it has been asked to some of the most important sculptors who carried or still carry out their artistic activity in Versilia of participating in this initiative by loaning a maquette and, when possible, the related finished artwork. Its result is here evident with the Sculpture in Suitcase exhibition with the following participating artists: Hanneke Beaumont, Helaine Blumenfeld, Pietro Cascella, Girolamo Ciulla, Mara Papa, Giò Pomodoro, Novello Finotti, Nado Canuti, Eun Sun Park, Ron Mehlman, Ivan Theimer, Leone e Marcello Tommasi, Cordelia von den Steinen, Kan Yasuda.
Emphasis to the theme of manufacture and working of marbles, bronzes, mosaics, and other materials is furthermore given through films and photographs concerning the artisan workshops. In particular, are exhibited the images of Polish photographer Henryk Hetflaisz, which have been already shown in “Homo Faber” in 2013. Present the territory also a film on Seravezza prepared on purpose and a video-documentary on the manufacture in the artisan laboratories.
The many-centuried tradition of extraction and manufacture of stony materials, which generated excellent skilled workers, whose collaboration is today requested by artists from all over the world for the marble, bronze, and mosaic realizations, is also testified by the works presented by the Artigianart Association and the Cosmave Consortium, here exhibited with a group of selected companies.
The “Michelangelo e la Versilia” initiative has been possible thanks to the generous contribution and collaboration of the Savema Company S.p.A. of Pietrasanta, of the MSC Company of New York and of Tirrena S.p.A. of Carrara, to all of which goes a warm thanks from all of the organizers.
present
Michelangelo e la Versilia
Notes.... Many good looking people here - at a party at the Italian Cultural Institute mansion on Park Avenue full of people who create art with the great marble that Michelangelo used for his sublime works.
Here we are in Italy, in fact, where the people who manage and administer the companies involved as well as the sculptors and the mosaic artists both seem to have faces stamped with the same rugged good humor and individuality, not to mention plain good looks, that come from a culture where so much more is expressed that in uptight Northern cultures such as the Britons, perhaps the most interestingly buttoned up of all races (speaking as one here).
Just the same attractive quality is seen in the rest of the Italians present, including several young ladies who had come over from Italy and if they are typical suggest that part of the reason that Italian youth is so often movie level attractive is that as well as their stylish fashion sense they all eat food which is not only good and tasty but also very good for them, for they seem not only beautiful but also flagrantly healthy, slim and bright eyed, walking and well dressed advertisements for the Mediterranean diet.
Wielding a camera to try and capture this assembly of marvelous faces and figures we seem early on to have too often taken the shot too quickly for the camera to focus in such low light, Alas, but that is always kind in its effect and there are enough remaining accurate shots to convey what we mean, we believe. Comic, or beautiful, all suffused with individuality and great good humor, that seems to be the standard for Italian faces, judging from this party at least!
Italy forever!
Read MoreSo where does carrera marble fit in?
So where does carrera marble fit in?
The Consulate General of Italy
together with
the Italian Cultural Institute of New York,
and the municipalities of
Forte dei Marmi, Pietrasanta, Seravezza, and Stazzema
sustained by the Banca del Monte of Lucca Foundation
Thursday, December 4
6PM
Italian Cultural Institute
686 Park Avenue
New York
TO RSVP PLEASE CLICK
HERE
Taking Michelangelo’s experience in the Versilia region as a starting point, the four Cities cast light on the artistic and cultural traditions that share in common, which origin ties up to the centuries-old activity of extraction and manufacture of marble. “Michelangelo e la Versilia” proposes the presentation of two original drawings by Michelangelo, loaned by the Casa Buonarroti Museum. The Maestro, once arrived at the Versilia quarries at the beginning of the 16th century, started to extract the marbles to send to Florence for creating his works, having them transported from the mountains of Stazzema and Seravezza until the maritime boarding along the way that he wanted, after which construction originated the town of Forte dei Marmi. In this regard, it is shown a wide panel description on the history of “The Way of Marbles”, which passing through the territories of the four Cities; unify them exalting the respective characteristics.
As evidence of the prosecution of the artistic manufacture until our days and in consideration of the historical-artistic importance of the Museo dei Bozzetti of Pietrasanta and of the identity value, that it represents for the Versilia territory as well as for its vocation to sculpture, it has been asked to some of the most important sculptors who carried or still carry out their artistic activity in Versilia of participating in this initiative by loaning a maquette and, when possible, the related finished artwork. Its result is here evident with the Sculpture in Suitcase exhibition with the following participating artists: Hanneke Beaumont, Helaine Blumenfeld, Pietro Cascella, Girolamo Ciulla, Mara Papa, Giò Pomodoro, Novello Finotti, Nado Canuti, Eun Sun Park, Ron Mehlman, Ivan Theimer, Leone e Marcello Tommasi, Cordelia von den Steinen, Kan Yasuda.
Emphasis to the theme of manufacture and working of marbles, bronzes, mosaics, and other materials is furthermore given through films and photographs concerning the artisan workshops. In particular, are exhibited the images of Polish photographer Henryk Hetflaisz, which have been already shown in “Homo Faber” in 2013. Present the territory also a film on Seravezza prepared on purpose and a video-documentary on the manufacture in the artisan laboratories.
The many-centuried tradition of extraction and manufacture of stony materials, which generated excellent skilled workers, whose collaboration is today requested by artists from all over the world for the marble, bronze, and mosaic realizations, is also testified by the works presented by the Artigianart Association and the Cosmave Consortium, here exhibited with a group of selected companies.
The “Michelangelo e la Versilia” initiative has been possible thanks to the generous contribution and collaboration of the Savema Company S.p.A. of Pietrasanta, of the MSC Company of New York and of Tirrena S.p.A. of Carrara, to all of which goes a warm thanks from all of the organizers.
present
Michelangelo e la Versilia
Notes.... Many good looking people here - at a party at the Italian Cultural Institute mansion on Park Avenue full of people who create art with the great marble that Michelangelo used for his sublime works.
Here we are in Italy, in fact, where the people who manage and administer the companies involved as well as the sculptors and the mosaic artists both seem to have faces stamped with the same rugged good humor and individuality, not to mention plain good looks, that come from a culture where so much more is expressed that in uptight Northern cultures such as the Britons, perhaps the most interestingly buttoned up of all races (speaking as one here).
Just the same attractive quality is seen in the rest of the Italians present, including several young ladies who had come over from Italy and if they are typical suggest that part of the reason that Italian youth is so often movie level attractive is that as well as their stylish fashion sense they all eat food which is not only good and tasty but also very good for them, for they seem not only beautiful but also flagrantly healthy, slim and bright eyed, walking and well dressed advertisements for the Mediterranean diet.
Wielding a camera to try and capture this assembly of marvelous faces and figures we seem early on to have too often taken the shot too quickly for the camera to focus in such low light, Alas, but that is always kind in its effect and there are enough remaining accurate shots to convey what we mean, we believe. Comic, or beautiful, all suffused with individuality and great good humor, that seems to be the standard for Italian faces, judging from this party at least!
Italy forever!
